Song of the Day #6, July 3

Ecco2k: Calcium

It's so hard to find but so easy to find 

(Lost my shine, I star and cross my eyes)

And my heart is blind, I star and cross my eyes

(Lost my shine, I star and cross my eyes)

Art Pop/Cloud Rap/R&B

https://www.youtube.com/watch?v=jfx106XZsN0&pp=ygUOY2FsY2l1bSBlY2NvMms%3D

Song of the Day #5: Hailu Mergia & Dahlak Band: Sinyayehu

 Song of the Day #5, July 2

Hailu Mergia & Dahlak Band: Sinyayehu

Jazz/Funk/Ethiopian Jazz

https://www.youtube.com/watch?v=Z0D5NnUFfC4&ab_channel=AwesomeTapesFromAfrica

Song of the Day #4, July 1st

 Song of the Day #4, July 1st

Neil Young: Heart of Gold (1972)

I want to live 

I want to give 

I've been a miner 

For a heart of gold

It's these expressions 

I never give 

That keep me searching 

For a heart of gold

Country Rock/Soft Rock/Folk Rock 

https://www.youtube.com/watch?v=c7eB7Wns1-M&pp=ygUNaGVhcnQgb2YgZ29sZA%3D%3D

Song of the Day #3, June 3

Song of the Day #3,  June 30

Björk:Pagan Poetry (2001)

On the surface simplicity 

But the darkest pit in me 

And it's pagan poetry

Art Pop/Electronic

https://www.youtube.com/watch?v=Wp6tAcjq0N0&ab_channel=Ludibry

Song of the Day #2, June 29

 Song of the Day #2 June 29

Peter Gabriel: Games Without Frontiers

If looks could kill, they probably will

In games without frontiers, war without tears 

Art Rock/Pop

https://www.youtube.com/watch?v=3xZmlUV8muY&ab_channel=PeterGabriel

Song of the day #1, June 28

 Song of the Day #1,  June 28

The Modern Lovers: Roadrunner (1972)

The highway is your girlfriend as you go by quick

Garage Rock

https://www.youtube.com/watch?v=6ZWoJ8_75Mo&ab_channel=Antonio

Playboi Carti: Whole Lotta Red (2020) (Hip-hop,Trap)

It's not metal and barely punk, Whole Lotta Red is an unfinished, aesthetically dirty, collection trap scraps. Like his previous album, his writing is often impressionist, with embellishing ad-libs and some versatile inflexions and flows but not as capable as a Young Thug. Carti has a unique lane, it's too bad he does not commit to developing his ad-libs and repeated mantras throughout the song, they just exist to assume space. M3tamorphosis is good and parts of New N3on, and King Vamp have promising instrumentals and flows but are burdened but nonessential ad-libs and under committment

Hip-hop/Trap

C-

Savage Mode II: 21 Savage, Metro Boomin, 2020 (Hip-hop,Trap)

21 Savage is much more versatile much more amiable and occasionally humorous. Metro Boomin keeps up his consistent production with wide dark beats with little shimmers and sparkles. Retro Homage is present as shown on Steppin on Niggas an NWA nod. Savages attempts at softer more sensual trap are largely effective on Mr. Right Now and Said N Done while the tough songs (Glock in My Lap and Brand New Draco) reminding us that this is still a Savage tape. One of the better trap albums of the year.

Hip-hop/Trap

Fleet Foxes: Shore (2020) (Folk,Pop,Rock)

Much more poppy than last efforts. Many pop ballads work well in their sphere and the punchy drums and colourful instrumentation helps give life to many songs, with many being well written. Some ballads are a bit to watered down. 

Chamber Folk/Folk-Pop/Folk Rock

Run the Jewels:RTJ4 (Hip-hop) (2020)

Hard bars, digitized boom-bap production, and some monster flows. From the start Killer Mike and El-P hit you with high octane and politically charged verses that demand attention, crafting an enticing album for hip-hop listeners. The oldheads win on this one, one of the best hip-hop albums of the year.

Boom-bap/ Concious Hip-hop/ Hardcore Hip-hop

Gryphon: Red Queen to Gryphon Tree (Folk, Instrumental, Progressive Rock) (1974)

Other than the song titles and the occasional tension, not much gives the impression of a "chess album" but the slight medieval tinges and pleasant motifs (especially on the 3rd song) do give a beautiful archaic tang much like much of fantastical scene of 70s UK prog, but this much with an apparent baroque and folk influence while still maintaining electronic instruments, organs, a rustic percussion section and all the gimmicks and intricacies of prog.

Medieval Folk/Progressive Folk/Progressive Rock

Taylor Swift: folklore (2020) (Folk, Pop)

As much as the gimmick of lowercase titles may be evidence of quaint rustic indie folk, a sheen of top 40 always remains. "The Woods" are a backdrop for Taylor's pop all crafted meticulously and clean but often effectively written songs about well ... romance and movies? The album is a bit of a bummer and its melancholy can be a bit overbearing not in how sad it is but how passive and similarly many of the songs are, but I can say its value can come from its dreaminess and occasional subtlety.






Chamber Pop/Folk Pop

Arca: KiCk i (2020) (Electronic, Pop)

Arca's usage of texture is intriguing and varied with her performances, ranging from chaotic to open and dramatic, focusing for the most part on sonic sentiment and dynamism rather than harmony and catchiness which allows for left field-like songs that still occasionally manage to fit in the pop sphere(Mequetrefe, KLK, Machote), for the most part, the tunes are for avande garde electronic but much crossover appeal can be found. Most songs are in Spanish, few are in English.







Art-Pop/Avande Garde/Electronic

Donovan: A Gift From a Flower to a Garden (1967) (Folk,Pop,Rock)

The hippie tendencies run deep and the faint nature of many songs will be worthwhile for those wishing to relive this era. As charming Donovan's whimsical and earthy sing is, at times the performances and instrumentals don't take as much authority rather seeming frivolous and too passive. Highlights include Wear your love like Heaven, There Was a Time, Someone Singing.






Folk-Rock/Psychedelic Pop

Gene Clark: No Other (1974) (Country, Folk, Rock)

Encapsulated sentiments of 60s counterculture but this time rather than reiterating the same tired anti establish motifs, it is rather passive and accepting, vying between spiritual and grounded, with tailored production yet maintaining the Midwest authenticity.

Country Rock/Folk Rock/Psychedelic Rock

Bladee: Gluee (2014) (Hip-hop,Pop)

In icy fashion, this tight album is a hazy collection of tunes rapped in a dejected occasionally monotone fashion, but in a drugginess that is intoxicating and beats that glisten and can't help giving a feeling of bliss and euphoria, allowing for a fruitful merger of art-pop and cloud rap. A very similar album to Yung Lean's Unknown Memory released in the same year, but an all-round more concise and stronger finished product. Favourites include Ebay, Shadowface, Everlasting Flames and Unreal.






Art-pop/Alternative R&B/Cloud Rap/Trap

Neil Young: Homegrown (2020) (Country,Folk,Rock)

Recorded between 1974 and 1975. For the most part quaint country-folk ballads with the occasional rock tune largely relating to Young's relationships at the time. A good batch of folk songs from one of the greatest in the genre.








Country/Folk/Rock

Bladee: 333 (2020) (Hip-hop,Pop)

With excellent production helmed by Whitearmor, Bladee continues his trend of art-pop, rap fusions. Some poppier tracks that surely borrow from older trends such as Don't Worry, Mean Girls and It Girl. With ballads such as Wings in Motion and Only One mixed in, 333 has a range of productions and Bladee's singing and vocals have improved, largely due to a more effective use of autotune. The brevity of the songs does lead to a disjointed listening experience but many of the minuscule songs are refreshing enough both in performance and production. Such as Hero of My Story 3style3 where Bladee alternates between flows and vocal effects over a very ascending ethereal instrumental and the quirky Reality Surf with Bladee's subtle delivery and vocal samples.



Art-pop/Experimental Hip-hop/Trap

Juice WRLD: Legends Never Die (2020) (Hip-hop,Pop,Trap)

Juice WRLD was one of the many prominent figures in the trend of angsty emo-rap who died much too early. On Legends Never Die, Juice WRLD follows this aesthetic but includes some of his most commercial songs like the EDM tune Come & Go, this may be due to his recent passing and likely may not have been completely part of the artistic planning. But Juice WRLD always threaded close to pop and though that may be present in this album more than ever he still expresses a relatively versatile selection of songs all ranging from EDM, pop to trap with occasions of punk. The trap drums can occasionally get a bit stale, but the aesthetic changes that occur later in album keep things interesting. Juice show's himself to be a competent songwriter and rapper as shown in highlights Conversations, Righteous, Wishing Well, Up Up And Away. 




Emo Rap/Pop/Trap

Bob Dylan: John Wesley Harding (1967) (Country,Folk)

In a year that was largely defined by psychedelic rock and innovations to electric guitar music, Dylan countered the prevailing trend by reverted to a folkier more rustic sound. Though it is not completely akin to the work that made him the singer-songwriter darling of the era. Instead, Dylan invokes lyrics of folk tales, myth, legend, spirituality often in an ambiguous and self meditative state. Though very earthy, there is something very ghostly and mystic, a masterpiece of an album for the Fall.




Country/Folk