Fleet Foxes: Shore (2020) (Folk,Pop,Rock)

Much more poppy than last efforts. Many pop ballads work well in their sphere and the punchy drums and colourful instrumentation helps give life to many songs, with many being well written. Some ballads are a bit to watered down. 

Chamber Folk/Folk-Pop/Folk Rock

Fleet Foxes: Sun Giant (2008) (Folk)

On their second EP, Fleet Foxes introduce the kernels of their warm indie-folk aesthetic.



Best Tracks: English House, Mykonos*, Innocent Son

B 


Chamber Folk/ Folk Pop

Fleet Foxes: Crack-Up (2017) (Folk, Rock)

On their third album, Fleet Foxes have effectively sidestepped the evident retro-folk inspirations of previous albums and replaced them with grand orchestral arrangments with more intricacy. The sound is quite a departure from previous albums with much more eclectic instrumentation, incorporating more studio techniques such as sampling and electronic instruments as well as heavier elements of rock. The diversity in sounds is often enjoyable and feels like a unique progression of their sound, but also has the album going through a decent amount of filtration and washes of reverb. The lyrical tone remains similar to their last album, however this time it seems more cerebral and conscious of creating grand folk odysseys. Rather than sounding like the earthy landscapes of previous albums, Crack-Up sounds watery, occasionally stormy and purifying, at times haunting but at times indistinct.

Best Tracks: I Am All That I Need/ Arroyo Secco/ Thumbprint Scar, -Naiads, Cassadias*, Third of May/ Ōdaigahara*, If You Need to, Keep Time on Me, On Another Ocean (January / June)




B+

Chamber Folk/ Folk Rock/ Psychedelic Folk 

Fleet Foxes: Helplessness Blues (2011) (Folk)

The subtle melancholy of their previous album is now a driving force but now packaged with 60s folk adoration, as shown with the apparent inspirations from Bob Dylan, Neil Young, Cosby, Stills and Nash. The song Lorelai being so akin to Dylans 4th Time Around it almost sounds like a cover, but an excellent one at that, with grander more energetic instrumentation and dynamic vocal passages. But, this is much of the appeal of Helplessness Blues, the ability to borrow the best moments of folk music and translate them into grander, chamber pop songs with enough experimentation and lyrical substance to engage modern listeners. As a band they really show their resiliency, being able to switch effortlessly between grander and more intimate songs while maintaining cohesion in a story of life, loss and love. The vocal harmonizations and instrumental landscapes remain warmer and even more rustic, and the lyrical content is more focused with contrasts of warmth and optimism with an overbearing sadness. The ethos of the album leaves an impression and the album is without a doubt one of the best in its class in recent decades.

Best Tracks: Montezuma*, Bedouin Dress, Sim Sala Bim, Battery Kinzie*, The Plains/ Bitter Dancer, Helplessness Blues*, The Cascades, Lorelai*, Someone You'd Admire*, The Shrine/ An Argument, Blue Spotted Tail*, Grown Ocean


S

Earthy Vibes/Chamber Folk/ Folk Pop

Fleet Foxes: Self Titled (2008) (Folk)

On their debut album, Fleet Foxes craft a tight collection of earthy, warm folk ballads, giving enough poetic substance to give a lasting impression yet have listeners wanting more. The sound is rustic with nods to medieval sounds and themes yet remains very orchestral and polished in composition while maintaining a consistent distance a la chamber-pop aesthetic. An excellent starting point for one of the essential contemporary folk bands, Fleet Foxes remains one of the stronger debuts in modern music.

Best Tracks: Sun It Rises, White Winter Hymnal*, Ragged Wood*, Tiger Mountain Peasant Song, Quiet Houses*, He Doesn't Know Why*, Heard Them Stirring*, Your Protector*, Blue Ridge Mountains, Oliver James



A+

Earthy Vibes/ Chamber Folk/ Folk Pop